5/8/2021 0 Comments Hugh Masekela Flac
Newly remastered and recut from the original single LP over a 2LP pressing.For the first time since its limited release in South Africa in 1981, Matsuli Music is proud to re-issue this gem of a pan-African, funk-infused, extended audio double album with unpublished photographs and new liner notes from Atiyyah Khan.The Christmas-weekend stadium-filled concert deeply challenged and disturbed South Africas apartheid regime.
![]() Live in Lesotho documents an inspired Hugh Masekela and his stellar New York band putting a new spin on crowd favourites. Another South African jazz gem from Matsuli Musics growing catalogue of essential high-quality reissues. For an artist as prolific and famous as Hugh Masekela, it is a real surprise that this particular recording took so long to resurface. If there are any unforeseen issues with availability we will notify you immediately. Weve Landed (4:38) Rejoice is a very special collaboration between Tony Allen, the co-founder of Afrobeat, and Hugh Masekela, the master of South African jazz. Having first met in the 70s thanks to their respective close associations with Fela Kuti, the two world-renowned musicians talked for decades about making an afrobeat album together. When, in 2010, their touring schedules coincided in the UK, the moment presented itself and producer Nick Gold took the opportunity to record their encounter. Hugh Masekela Flac Archive Until AfterThe unfinished sessions, consisting of all original compositions by the pair, lay in archive until after Hugh passed away in 2018. With renewed resolution, Tony Allen and Nick Gold, with the blessing and participation of Hughs estate, unearthed the original tapes and finished recording the album in summer 2019 at the same London studio where the original sessions had taken place. Rejoice can be seen as the long overdue confluence of two mighty African musical rivers a union of two free-flowing souls for whom borders, whether physical or stylistic, are things to pass through or ignore completely. According to Allen, the album deals in a kind of South African-Nigerian swing-jazz stew, with its roots firmly in afrobeat.
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